Paula Ettelbrick
AWID Forum: Co-creating Feminist Futures
In September 2016, the 13th AWID international Forum brought together in Brazil over 1800 feminists and women’s rights advocates in a spirit of resistance and resilience.
This section highlights the gains, learnings and resources that came out of our rich conversations. We invite you to explore, share and comment!
What has happened since 2016?
One of the key takeaways from the 2016 Forum was the need to broaden and deepen our cross-movement work to address rising fascisms, fundamentalisms, corporate greed and climate change.
With this in mind, we have been working with multiple allies to grow these seeds of resistance:
- Our Seed Initiatives, has helped 20 ideas that emerged at the Forum to grow into concrete actions
- The video “Defending people and planet” and guide “Weaving resistance through action” put courageous WHRDs in the spotlight and present concrete strategies they use to confront corporate power.
- With our animations about the State of Our Feminist Movements and Climate and Environmental Justice, movements now have creative tools to support their advocacy work.
- The compiling artistic expressions of our #MovementsMatter series continues to inspire stronger and more creative organizing around the world.
- Movements can also benefit from new methodologies on Visioning Feminist Futures (Coming up soon!)
And through our next strategic plan and Forum process, we are committed to keep developing ideas and deepen the learnings ignited at the 2016 Forum.
What happens now?
The world is a much different place than it was a year ago, and it will continue to change.
The next AWID Forum will take place in the Asia Pacific region (exact location and dates to be announced in 2018).
We look forward to you joining us!
The next AWID Forum will take place in the Asia Pacific region (exact location and dates to be announced in 2018).
We look forward to you joining us!
About the AWID Forum
AWID Forums started in 1983, in Washington DC. Since then, the event has grown to become many things to many peoples: an iterative process of sharpening our analyses, vision and actions; a watershed moment that reinvigorates participants’ feminisms and energizes their organizing; and a political home for women human rights defenders to find sanctuary and solidarity.
Related Content
Interesting References
Explore these projects put together by AWID teams to promote feminist advocacy and perspectives.
Est-ce que plusieurs personnes d’un même groupe peuvent répondre séparément aux questions de l’enquête WITM?
Non, nous souhaitons recevoir une seule participation par groupe.
Doris Viloria Palomares
Snippet Welcome Message_Fest (ES)
Mensaje de Bienvenida
Hakima Abbas, AWID
"Estamos utilizando las herramientas que tenemos para compartir nuestra resistencia, nuestras estrategias y continuar edificando nuestro poder para actuar y crear nuevos mundos valientes y justos"
Wangari Maathai
Can I access and fill the survey from my phone?
Yes, the survey can be accessed using a smartphone.
Estela Ambrosio Luna
Snippet Caribbean Feminist Spaces_Fest (FR)
Espaces féministes caribéens, expressions créatives et pratiques spirituelles pour le renforcement communautaire
Tonya Haynes, CAISO
Angelique V. Nixon, CAISO
Agnes Torres
¿Tendré oportunidad de compartir mi opinión sobre cuestiones que no se hayan incluido en la encuesta?
Sí, invitamos a compartir más impresiones acerca de alguna cuestión que sea de importancia para ti respondiendo a las preguntas abiertas al término de la encuesta.
Mechthild "Mel Hired" Möhring
Read also:
We all can dance
by Mechthild Möhring (aka serialmel)
How I punt myself at the narrow hard knitting I once retrieved. I'm dancing in the kitchen when I'm alone. Gracile and powerful. When I'm in company I'm clumsy. My body scandalizes, scandalizes the laws of look I feel, scandalizes the words which banished me. "Of course she can dance, it's in her blood as a Black person." "If she is able to dance nicely she is good in bed" they whisper, they murmur, no - they say it openly into my face. They smirk and rub themselves against me and let me move back. I stumble and fall. My feet reject their duty. Bearish I get out of breath. Smiling I place myself out of events and notice how my face freezes into a mask.
Translated into English by Tsepo Bollwinkel
Original in German
Tanzen können wir alle
Von Mechthild Möhring (aka serialmel)
Wie ich mich stosse an den engen, harten Maschen, in die ich mich einst zurückgezogen habe. Ich tanze in der Küche, wenn ich allein bin. Grazil und kraftvoll. Wenn ich in Gesellschaft bin, bin ich unbeholfen. Mein Körper eckt an, an die Gesetze des Blicks, den ich spüre, an die Worte, die mich bannten. „Natürlich kann sie tanzen, als Schwarze hat sie das im Blut.“ „Wenn sie gut tanzen kann, dann ist sie auch gut im Bett“ flüstern sie, raunen sie, nein, sie sagen es mir laut ins Gesicht. Sie grinsen und reiben sich an mir und lassen mich zurückweichen. Ich stolpere und falle. Meine Füsse verweigern ihren Dienst. Tollpatschig gerate ich ausser Atem. Lächelnd setze ich mich an den Rand des Geschehens und bemerke, wie mein Gesicht zur Maske erstarrt.
Snippet Festival Days 8-13_Fest (EN)
Clotilde Marquez Cruz
Comment présenterez-vous et traiterez-vous les données collectées pendant l’enquête?
Les données seront traitées à des fins statistiques, pour mettre en lumière l’état du financement de l’organisation des mouvements féministes dans le monde entier, et ne seront présentées que sous forme agrégée. L’AWID ne publiera pas d’informations relatives à une organisation donnée ni ne divulguera d’informations qui permettraient d’identifier une organisation par le biais de son emplacement ou de caractéristiques qui lui sont propres, sans son accord explicite.
Kate Millett
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TeleSUR: Muere la autora feminista Kate Millett a los 82 años
Club de Cine Feminista: Leitis in Waiting & programa de América Latina y Centroamérica
En esta selección de películas encontrarán las voces de realizadoras que no solo se contentan con plasmar las realidades feministas que palpitan en cada rincón de este vasto y diverso territorio sino también trabajos que desde su gestación misma están cuestionando el para qué, quién y cómo se hace cine o audiovisual. Realizadoras o colectivos que entienden al cine como una herramienta de lucha, como algo más que imágenes que se disfrutan en una pantalla, que ven al cine y al audiovisual como instrumentos para potenciar una discusión o abrir un debate; en fin, como un recurso para la pedagogía popular y feminista.
Domitila Barrios de Chungara
